I haven't done a top ten movie thing in a while, so, since the Oscars were just last week, I'll give you my top 15 Oscar winners for Best Picture. Two conditions: 1. It had to win specifically for Best Picture. Not Best Screenplay, not Best Director, not nominated. Win. Best. Picture. 2. I had to have actually seen it. So, sorry if the English Patient deserves to be up here, but it will most likely never satisfy condition number 2.
First, let me list the ones I've seen:
All Quiet on the Western Front (1930)
Casablanca (1943)
On the Waterfront (1954)
The Bridge on the River Kwai (1957)
Ben-Hur (1959, my mom's favorite movie)
West Side Story (1961)
Lawrence of Arabia (1962)
Oliver! (1968)
Patton (1970, my grandfather's favorite movie)
The Godfather, The Sting, The Godfather, Part II, One Flew Over the Cuckoo's Nest, Rocky, and Annie Hall (1972-77)
Chariots of Fire (1981)
The Last Emporer (1987)
Rain Man (1988)
Dances With Wolves, The Silence of the Lambs, Unforgiven, Schindler's List, Forrest Gump, Braveheart (1990-95)
Titanic, Shakespeare in Love, American Beauty, Gladiator, A Beautiful Mind, Chicago, The Lord of the Rings: Return of the King (1997-2003)
Crash, The Departed, No Country for Old Men (2005-08).
I think that's thirty-four of them. On with my top 15:
15. Patton - I very much want to believe that George C. Scott's portrayal was a tone down. If this guy was a four star general during WWII, it's amazing that we didn't conquer the world then. A very interesting look into the arrogance of our national identity. The music rocks, too.
14. Braveheart - Another good movie with music. I think the story is very inspiring, although somewhat historically inaccurate. I find it odd that it was nominated for best film editing even though there are five obivous instances of poor editing. Maybe the Oscars isn't the best judge of movie quality. I recently learned (and became disgusted with) how political the process is.
13. A Beautiful Mind - I always give very high points to films that can evoke the same emotion in the audience that the character is feeling (which is partly why I like Children of Men so much). Here, the audience feels the same betrayal and denial at film's big twist. The movie is not what you were expecting when you bought a ticket, and yet, it is still very very good. Ron Howard's second best film.
12. The Sting - the music in this movie sucks. It would probably be top five but for the fact that I feel like dancing the Charelston on a flag pole when I watch it. Robert Shaw is awesome, btw.
11. On the Waterfront - An excellent demonstration in how to build tension and emotion toward a climax. The story and film start off slow, but build rapidly to where you find yourself cheering. This is also where you might notice a lot of the movies I mention have almost cliche quotes. Every half assed actor can give you his or her best Brando from this movie.
10. Ben-Hur - I also like epic movies. This movie is a little complicated to sum up in one paragraph. It has an intermission. The chariot race still sets the bar pretty high.
9. The Godfather, Part II - Part of me doesn't see how anybody could think that Part II is better than Part I. So without looking ahead, I'll say that this is almost the perfect movie. And it would be if it wasn't the sequel to a perfect movie.
8. No Country for Old Men - Notable on this list for it's almost complete absence of musical score. The acting is perfect, the dialogue is amazing, and the storytelling is at an elevated level. You don't need to see an exact shot to know what happened. Many people don't like the ending, but I think if they understand Tommy Lee Jones' character, they would appreciate the movie a little more.
7. Rocky - More recognizable music and quotes. It's very weird how artistically talented Sly was earlier in his career (I think First Blood is quite good), but now he has found himself on the business end of the movie industry.
6. Schindler's List - The first time I saw this movie, I simply sat and thought for thirty minutes.
5. Gladiator - One of my favorite movie scores of all time. I think most of it was copied from The Planets. Yeah, it's a great action movie, but it's really about the emotional journey the hero takes. I also like movies where the death of the character is pretty much revealed at the beginning, but somehow you are still shocked when it happens.
4. Casablanca - I was amazed when I watched this movie that I recognized probably 75% of the quotes without knowing it. A truly great love story, and very enjoyable.
3. Lord of the Rings: Return of the King - The epic of all epic movies. There will never be anything like this seen again on film. Music is fantastic. I still get cheers when Rohan shows up to save the day.
2. Unforgiven - I didn't really like Unforgiven at first. I thought it was really boring. But there are few moments on film better than when Clint walks into the bar at the end, caring not about his death, and sadly realizing he will never find redemption.
1. The Godfather - I think it's the perfect movie (although it comes in at no.2 on my all time favorites). The music, the acting, the dialogue, the quotability, the plot, the pacing, everything perfectly comes together. Michael's slow descent into becoming the Godfather is wretchingly sad to watch. Over three hours we see him go from "That's my family, Kay, not me." to "don't ask me about my business, Kay." Sometimes, running halfway around the world isn't enough to escape those who seek to do you harm.
That being said, I give this movie the slight edge to GFPII because it is a little more iconic and the journey into evil is a little more eloquent. GF portrays Michael as an innocent war hero descending into a mob boss who kills all his rivals. GFPII shows the same Michael as a mob boss trying to escape who ends up killing his brother. I think the descent covers more ground in GF, but I understand that people differ on that point. I will briefly mention GFIII here only for the amazing scene Michael has with the Priest. Seeking redemption for all his past sins, Michael realizes forgivness will not come from God because he cannot forgive a) others, or b) himself. Plus, GFPII doesn't have crazy wife beating James Caan, and that's always going to give a movie the edge.
-G